RFC TO HOST SCREENING OF THE COLOR PURPLE WITH KEY HAIRSTYLIST ANDREA BOWMAN

Robinson Film Center will host a special screening of The Color Purple on January 11th at 7pm with an intro and Q&A by Andrea “Mona” Bowman, a Shreveport native and Key Hairstylist on the film.

Bowman, who grew up in the Mooretown area, graduated from Fair Park High School and attended Wiley College in Marshall Texas. Her film credits include The Great Debaters, Emancipation, Pitch Perfect 3, and True Detective Season 3 among many others. She is a two-time Guild Nominated Hairstylist, an Emmy Nominated Hairstylist, and has an Oscar Shortlist and BAFTAS Longlist to her name. “We are so excited to have Ms. Bowman at a screening of The Color Purple as her work on the film is absolutely beautiful, and we share the same vision of exposing people to different facets of filmmaking,” said Wendell Riley, RFC’s Executive Director. “I would strongly encourage anyone interested in doing hair and makeup on a film set to attend, along with those who just want to get more behind the scenes insight on the film.”

Tickets are on sale at https://robinsonfilmcenter.org/#/tcp-discussion/ or by calling the box office at (318) 459-4122.

 For media inquiries, please contact Wendell Riley at wendellr@robinsonfilmcenter.org.

Robinson Film Center, a 501(c)(3) not-for-profit arts organization based in Shreveport, educates, enriches and entertains through the power of film. RFC exhibits independent, international and classic cinema daily in two movie theaters, with a full-service bistro and special events space upstairs. RFC provides film history and media literacy classes for all ages, focusing strongly on K-12 students and senior citizens. RFC also supports outreach programs that promote and strengthen the state’s film industry.

RFC BEGINS RENOVATION OF ABBY SINGER’S BISTRO

Robinson Film Center began renovating its restaurant, Abby Singer’s Bistro, on January 2nd, 2024. The project is scheduled to run for several weeks, with a planned reopening in February. While the restaurant is undergoing its renovation, the bistro will still provide its regular lunch and dinner service, along with takeout options in its Event Space on the second floor of RFC.

The renovation, which will include updated lighting, furniture, painting, and décor, will give the restaurant its first full facelift since it opened fifteen years ago. “We are very excited about this project. We have been planning it for quite some time, and we could not have begun this work without the generous support of many local organizations,” said Wendell Riley, RFC’s Executive Director. “The Downtown Development Authority, The Beaird Family Foundation, Mike McSwain Architect, Fusiform Design Workshop, our board, and our generous supporters during Give for Good all made this possible.”

RFC is working with several local contractors to complete the work and will announce a grand reopening in the coming weeks. Updates will be provided on the Abby Singer’s and Robinson Film Center Facebook and Instagram pages, as well as www.robinsonfilmcenter.org.

For media inquiries, please contact Wendell Riley at wendellr@robinsonfilmcenter.org.

 Robinson Film Center, a 501(c)(3) not-for-profit arts organization based in Shreveport, educates, enriches and entertains through the power of film. RFC exhibits independent, international and classic cinema daily in two movie theaters, with a full-service bistro and special events space upstairs. RFC provides film history and media literacy classes for all ages, focusing strongly on K-12 students and senior citizens. RFC also supports outreach programs that promote and strengthen the state’s film industry.

ROBINSON FILM CENTER ADDS OPEN CAPTION FILM SHOWINGS FOR HEARING IMPAIRED PATRONS

Robinson Film Center will add select open caption screenings to some of its film runs, beginning this weekend. Open captions will assist hearing impaired patrons fully experience these films by providing written dialogue and scene descriptors onscreen.

Films with captions will be indicated on the RFC website and at the box office, and will begin with screenings of Blackberry and Asteroid City. “At RFC we serve a wide range of patrons, and we try as much as possible to be aware of and accommodate their needs” said Wendell Riley, Executive Director of RFC. “A number of our long-term supporters have expressed the need for captions, particularly within our senior community.”

As the center pilots this program it will add captions to a few screenings a week, if they are available from the studios. “As we roll this out, we need be mindful of accommodating those in need while not alienating members of the audience who would rather not watch a film with captions,” said Riley. “As a community hub, we need to find the right balance for our patron group. We will assess audience reactions in the coming months and adjust as needed.”  

For media inquiries, please contact Wendell Riley at wendellr@robinsonfilmcenter.org.

 Robinson Film Center, a 501(c)(3) not-for-profit arts organization based in Shreveport, educates, enriches and entertains through the power of film. RFC exhibits independent, international and classic cinema daily in two movie theaters, with a full-service bistro and special events space upstairs. RFC provides film history and media literacy classes for all ages, focusing strongly on K-12 students and senior citizens. RFC also supports outreach programs that promote and strengthen the state’s film industry.

ROBINSON FILM CENTER BRINGS BACK FAITH ON FILM SERIES WITH ‘FIREPROOF’

Robinson Film Center is bringing back its Faith on Film series with the modern Christian hit film Fireproof, starring Kirk Cameron and Erin Bethea. The screening, which will be held on March 25th at noon, will feature a special recorded introduction by Bethea, and a live introduction by local actor Ted Ferguson.

“In addition to showing first-run films at RFC, we have many successful series and event screenings under banners such as Silver Screenings, Heels & Reels, and Friday Night Freak-out,” said Wendell Riley, Executive Director of RFC. “Faith on Film is a series that we’ve had in the past, and we are testing the waters with Fireproof, with the goal of bringing the series back every month.”

The series was originally conceived as a way to bring together area clergy members from different religions and denominations to have a conversation about film through the lens of their faiths. The new version of Faith on Film will seek to do the same, by showcasing films that highlight different belief systems and explorations of spirituality.  

For media inquiries, please contact Wendell Riley at wendellr@robinsonfilmcenter.org.

Robinson Film Center, a 501(c)(3) not-for-profit arts organization based in Shreveport, educates, enriches and entertains through the power of film. RFC exhibits independent, international and classic cinema daily in two movie theaters, with a full-service bistro and special events space upstairs. RFC provides film history and media literacy classes for all ages, focusing strongly on K-12 students and senior citizens. RFC also supports outreach programs that promote and strengthen the state’s film industry.

RFC TO HOST BLACK HISTORY MONTH SCREENING OF OSCAR NOMINATED DOCUMENTARY ‘TIME’ AS PART OF 3 CITY LOUISIANA TOUR

Robinson Film Center will host a screening of the 2021 Oscar-nominated documentary ‘Time’, featuring a live Q&A and book signing with the subjects of the film, Fox and Rob Richardson on February 12th at 1pm, as part of its Black History Month programming. The Shreveport screening will be part of a 3 city Louisiana tour for the couple, who are also releasing a book this month through the Baker Publishing Group.   

Media Release from the St. Charles Center for Faith Plus Action: 

Time: Families, Faith, and Fairness in Sentencing

The St. Charles Center for Faith Plus Action and Foundation for Louisiana are excited to announce its sponsorship of a 3-city tour of Time, an Academy Award nominated full-length documentary, tells the story of Fox and Rob Rich’s relentless fight for each other and justice, despite America’s broken prison system.  As Rob survived two decades at America’s bloodiest penitentiary and Fox raised their sons solo, they never stopped fighting for Rob’s freedom and for their futures against the statistical odds.  This program comes in anticipation of the release of Time 2023, the literary companion to the film.

Despite its worldwide acclaim and due to COVID, Time has never premiered in Louisiana.  Through this thoughtfully designed 3-city tour, the viewing of the film will be combined with a panel discussion and Q & A with the film’s subjects and authors of Time 2023.  Fox and Rob Rich will take participants into a deeper discussion of how faith, strength and community organizing not only brought Rob home, but has served to free countless others.  And their fight continues.

This work will be held as part of the community engagement, narrative change, activation, and education of participants in the Center's programming to mobilize people of faith/conscience to come alongside the work of those most impacted by harms of the criminal legal system and builds necessary allyship to expand community working to address the harms of the criminal legal system.

The film showings begin in New Orleans, February 7, 2023, Shreveport on February 12, and followed by Baton Rouge on February 28.  The significance of these cities goes beyond the geographic coverage of the state by beginning at the entry point for slavery in Louisiana – and the country – of New Orleans and ending in Shreveport, the last stand of the Confederacy in the Civil War.  Baton Rouge provides a focus on the heart of legislative power for the state.

This partnership integrates into The Center’s arts-as education-and-activation programming. Louisiana is the epicenter for mass incarceration. The mass incarceration system financially and socially destabilizes many families of color and reduces economic means with multi-generational effects. Amplifying the voices and experiences of people directly impacted by the system - most of whom are black, brown, and poor - through productions like Time fuels the fire for change, bridging a gap between experience and understanding.

Participants who attend experience a transition from separateness to solidarity, enabling them to engage in collective action. Communities of faith and conscience are in a particularly strong position to help change the moral framework through which our citizens and communities view incarceration. The deepening of community working to be restorative problem solvers means a thriving New Orleans for all who live here.

Time amplifies the multitude of problems undergirding the criminal legal system, the sentencing laws, and harms within carceral institutions while highlighting the strength of black families through this powerful story of fortitude, faith and love.

 Mission Statement of The St. Charles Center for Faith Plus Action

Focusing on racial justice and systemic issues within the criminal legal system, The St. Charles Center for Faith + Action ("The Center") builds a broader, more diverse community of people working actively to make a just and equitable New Orleans - and beyond. We tap the wellspring of energy of people of faith/conscience through immersive art events focused on the realities of the criminal legal system, retreats, seminars, and opportunities for spiritual growth.

With a grassroots community campaign focused on people of faith and people of conscious, we bring people together for experiences that drive them to amplify their engagement in building a stronger, more thriving New Orleans, through restorative justice lens to address the harms of the criminal legal system. Working at the intersection of sacred story and social justice action, The Center convenes faith leaders, community members, and experts to foster action and partnerships based on shared understandings and experiences leading to personal growth, public advocacy, and service to the community.

Co-sponsors include:

· Foundation for Louisiana

· The St. Charles Center for Faith + Action

· The Contemporary Arts Center

· Robinson Film Center

· Advancement Project 

· Watson Memorial Teaching Ministries

· Equal Justice USA 

· Baker Publishing

· National Council of Incarcerated and Formerly Incarcerated Women

For media inquiries, please contact Caroline Durham at (504) 729-8189 or CDurham@StCharlesAve.Center

Robinson Film Center, a 501(c)(3) not-for-profit arts organization based in Shreveport, educates, enriches and entertains through the power of film. RFC exhibits independent, international and classic cinema daily in two movie theaters, with a full-service bistro and special events space upstairs. RFC provides film history and media literacy classes for all ages, focusing strongly on K-12 students and senior citizens. RFC also supports outreach programs that promote and strengthen the state’s film industry.

2022 RFC Staff Picks

This awards season, RFC has put together a list of their own favorite movies of 2022. We hope this can give you some movie inspiration as we gear up for the Oscars!

Note from Wendell Riley: I don’t get hung up on “Best of” lists because so much of it is subjective. The enjoyment of a film, beyond its technical merits, can boil down to a number of factors such as personal bias, the viewer’s mood at the time (of viewing and writing), viewing format, environment etc. That being said, here are some of our favorite films of 2022:

Wendell Riley’s Picks:

RFC Executive Director

Everything Everywhere All At Once - I apologize (a little) to those who’ve had to listen to me rave about this film. I absolutely love it, but I know it’s not for everyone. The easiest way to describe it without spoiling anything is that it’s a film that pretentious film school students will be waxing poetic about for decades to come. Many will copy elements from it, and few will succeed in doing it this well.

The Banshees of Inisherin - The ultimate guy breakup movie. It’s heartbreaking, hilarious, profound, and really dark. The performances are amazing, the visuals are sublime, but the standout for me is Barry Keoghan as Dominic.

X and Pearl - This is a dual entry, as Pearl was a surprise sequel to X. Both are fantastic films made on modest budgets but fueled by some great performances, particularly by Mia Goth. The final shot of Pearl is haunting and tragic, and while Goth won’t get much recognition outside of the horror community, her performances show a fantastic range of talent.

Top Gun: Maverick - Top Gun: Maverick is proof that a blockbuster can have heart and a brain, even if said brain switches off from time to time for some amazing adrenaline-fueled action. The cinematography in this film is top-notch, and it’s a fun, nostalgic ride from start to finish.

Till - This was a tough watch for me, but it earns a spot on my list for its importance. This is a story that has not been told nearly enough, and I will echo Mamie Till’s sentiment that people need to see it if we ever have a shot at healing and not letting history repeat itself. 

Honorable mentions: The Menu, Tár, Deadstream, The Batman, You Have No Idea

Alexis Salinas’s Picks

RFC Box Office Manager

Everything Everywhere All at Once - This film is as stunning as it is action-packed, funny, touching, and creative. Michelle Yeoh is at the top of her game with her performance and her chemistry with Ke Huy Quan is off the charts. I expect this to be on “must-watch” lists for many years to come.

Top Gun: Maverick - Going into this film, I was certain that it would be just a cash-grab riding on the coattails of nostalgia. Instead, it was everything that a sequel should be, bringing life to a familiar story by honoring the original and continuing the characters’ journeys in a believable way. Also… what’s not to love about big planes going fast?

Turning Red - As a girl who grew up in the early 2000s, a time ruled by friendship bracelets, boy bands, and Tamagotchis, this movie struck all of the right chords for me. I think everyone can relate to that time in their life when they were an awkward pre-teen and mortified by absolutely anything their family does.

Marcel the Shell with Shoes On - Everyone needs Marcel in their life. His humor, wisdom, and charm are so captivating. It’s impossible not to fall in love with him and cheer this little stop-motion shell on.

The Banshees of Inisherin - I have a deep love for live performance and this just felt so much like a straight play in the best way possible. The beauty of the Irish countryside and the cinematography pushed it over the top to create a gorgeous experience.

The Unbearable Weight of Massive Talent - Such an absurd, over the top film in the best way. After leaving the theater, I immediately called my friends to set up a watch party so they could enjoy it, too. If you’re looking for an easy watch with a lot of comedy, this is the one.

Madison Kane’s Picks

RFC Marketing Coordinator

Marcel the Shell with Shoes On - Marcel is the most adorable shell you might ever have the pleasure of meeting. As a fan of the OG YouTube video in my younger years, this one has a special place in my heart. Seeing Marcel bond with his Grandma Connie and search for his lost family brought my love for this little guy to a new level.

White Noise - I’m always amazed by the stories that Noah Baumbach manages to create and capture. This film has so many aspects to it, I couldn’t take my eyes away and still haven’t stopped thinking about it. Not to mention, the cast is great and the supermarket closing scene is everything.

Everything Everywhere All at Once – One of the most creative films I have ever experienced. The Daniels have a wild imagination and everything in the film is beautiful. I could watch this one over and over again!

The Menu – Clever, shocking, and captivating with some dark comedy and a surprise dessert at the end. What more could you ask for in a thriller?

Brian and Charles - The quirky and unique relationship between Brian and his homemade robot friend, Charles, is more heartwarming than you would think. It may not be for everyone, but I really enjoyed this fun watch.

Rachael Hansil’s Picks

RFC Education Director

Amsterdam – Not what I was expecting, but it was a good time. And based on a true events, which I didn’t know going into it. It’s a little off-beat, and Christian Bale is just fantastic, as always.

She Said – I’m a sucker for journalism films, especially female led ones. It’s in the same vein as All the President’s Men, but gets more personal in the lives of its lead characters. It’s an important topic and worth a watch.

Glass Onion – Listen, I know people had issues with this one, but I enjoyed it. It’s fun, easy to watch, and has some surprising cameos. And seriously, you can tell Daniel Craig is just having a good time. Give it a go. 

Persuasion – This is on my list because I watched it more than once. A rarity for me. I’m an Austen fan, and this was a fun take on Persuasion, which isn’t my favorite of her novels. It didn’t take itself too seriously, and neither did I. Enjoyed it a lot. 

Death on the Nile –  Make a star studded who-done-it, and I’m all in. I really enjoyed Kenneth Branagh’s Poirot in Murder on the Orient Express, so this was a no brainer for me. It’s exactly what you think it is set in the backdrop of Egypt. An easy weekend watch.

Robinson Film Center will Celebrate its 15th Anniversary in 2023; Sets Date for The Robbys

Shreveport, LA - Robinson Film Center is celebrating its 15th anniversary in 2023. The center, which hosted its grand opening in May 2008, has themed its celebration “Fifteen Candles”, a riff on the title of the John Hughes film “Sixteen Candles”. As part of the celebration, this year’s Robbys will take place on June 3rd, 2023.

“RFC has had a long and amazing history here in Shreveport,” said Wendell Riley, Executive Director of RFC. “The fact that RFC was even created is a miracle in my opinion, and our goal this year is to showcase the breadth of RFC’s reach, impact, and legacy, and to celebrate those who made it possible.”

RFC, like many other independent art house theaters nationwide, faced challenging waters during the COVID-19 pandemic, but through the dedication of its leadership, board, corporate sponsors, and community supporters, the center weathered the storm and is poised for growth in 2023.

“What we are aiming for now is sustained growth in the coming years,” said Riley. “We’ve seen growing demand for our special screenings and events, even as art house theaters have to contend with the growth of streaming services and encroachment from multiplexes into our market. We’re so excited to showcase RFC in 2023… and beyond.”   

 For media inquiries, please contact Wendell Riley at wendellr@robinsonfilmcenter.org.

RFC Staff Picks: Christmas Movie Edition

RFC has got you covered with Christmas movie suggestions to get you through the Holidays! We'll be posting selections from staff members throughout the rest of this Holiday season for your viewing pleasure.

Wendell Riley’s Picks:

RFC Executive Director

Gremlins (1984) - I have fond memories of seeing this as a kid and having my mind blown by the amazing puppetry and practical effects. The setup is great, and the chaos caused by the gremlins is good unclean fun. It’s a must-watch for me every year.

National Lampoon’s Christmas Vacation (1989) - For me this is peak Clark Griswold, one of cinema’s finest repressed and slightly angry lame dads with a heart. The movie hums along with episodic shenanigans until the parents and cousins show up, and then all hell breaks loose. I love it.

Meet Me in St. Louis (1944) - This is one I saw for the first time only a couple years ago and I immediately fell in love with it. Judy Garland is radiant in the film, and her performance of “Have yourself a merry little Christmas” is wonderful. The cast is great and they chew on some fantastic dialogue throughout, but my favorite character is Alonzo Smith played by Leon Ames, the hapless father (many times unknowingly) caught up in the dramatic lives of his children.

A Charlie Brown Christmas (1965) - Take Charlie Brown’s existential dread and juxtapose it against Vince Guaraldi’s fantastic score and you have a film that feels light and breezy but stays with you for a long time after you see it.

Die Hard (1988) - For some reason there is still a debate raging about whether or not this is an actual Christmas movie, but for me it’s THE Christmas movie. This is a film my mom took me to see as a kid, and up until that point I had never seen an action film that was shot so beautifully and that felt so larger-than-life, which seems counterintuitive since so much of the movie takes place in small confines. As Argyle says at the end of the film, “If this is their idea of Christmas, I gotta be here for New Year's!"

Alexis Salinas’ Picks:

RFC Box Office Manager

Love, Actually (2003) - What can I say? I’m a sucker for a good rom-com and I love the way these stories cleverly intertwine. The cast is stacked, the soundtrack is great, and the whole journey is such a fun time.

Rise of the Guardians (2012) - While technically set during the Easter Holiday, there’s plenty of winter holiday elements that can qualify it as a Christmas movie. Additionally, the animation is beautiful and the story just gives me the feel-good fuzzies that the holidays should!

Mickey’s Once Upon a Christmas (1999) - One of my favorite things about Christmas is getting to feel like a kid again. I practically wore out this VHS tape because I loved watching my favorite Disney characters over and over again. On top of that, each of the stories are so classic.

A Charlie Brown Christmas (1965) - This film is a holiday staple in my household. We watch it every year, even if it’s on in the background, so it’s an integral part of my family’s celebration.

The Holiday (2006) - Such a fun movie with a fantastic cast; both Cameron Diaz’s character and Kate Winslet’s character are so relatable. Plus, every time the Mr. Brightside scene comes around, it’s impossible not to dance and sing along.

Madison Kane’s Picks:

RFC Marketing Coordinator

Elf (2003) - It’s smart, it’s silly and Will Ferrell is hilarious! Seeing Buddy learn the ways of the world outside of the North Pole, eat syrup on his spaghetti, and create wild snowflakes and etch-a-sketch drawings is a highlight of the holiday season for me. Elf is one of the only Christmas movies I will watch any time of the year.

National Lampoon’s Christmas Vacation (1989) - The Griswold family’s misadventures are always entertaining. I love how well written and completely relatable this movie is. It seems to become more relatable the older I get.

Home Alone (1990) - This one brings a lot of Christmas nostalgia for me. I can remember my twin brother and I (unsuccessfully) attempting to recreate the obstacles from the movie as kids. My brother also strangely looked exactly like young Macaulay Culkin back then which made us both even more obsessed. We couldn’t help but wonder what kind of shenanigans might happen if we were left Home Alone for the holidays like Kevin.

Bad Santa (2003) - Bad Santa is definitely a different kind of Christmas movie. If you’re looking for holiday cheer, this may not be the one for you. The main characters are a bit rude and crass, but it makes for such a fun, exciting, laugh-out-loud adventure!

A Christmas Story (1983) - You can’t help but love how quotable and iconic this movie is. My favorite scene is when Flick is triple dog dared to stick his tongue to a frozen flag pole. I watch this with my family while we open presents on Christmas morning, so it always gets me in the holiday spirit!

Melissa Goslin’s Picks:

RFC Interim Education Director

Cupid For Christmas (2021) - With so many holiday movies on television, this one stands out for its original premise and clever holiday crossover. It also gets bonus points for being directed by SBC native Blayne Weaver.

Rudolph, The Red-Nosed Reindeer (1964) - I can’t even think about this film without all the childhood holiday feels taking over. I even remember the old Norelco commercial that played just before the titles on our Betamax (google it, kids!) tape.  It’s chock full of wacky, lovable characters like Yukon Cornelius, Bumble, and Charlie-in-the-box. But, Hermey, the elf who wants to be a dentist, pushes this to the top of the stop motion Christmas list for me. 

Elf (2003) - I was not a fan at first watch, but now I think I love this movie more every time I see it (which is every year). There’s just something about Will Ferrel’s wide-eyed portrayal of Buddy that gets straight to the magic of the holiday season.

Trading Places (1983) - I think about the scene with down-and-out Dan Akroyd shoving a whole smoked salmon in his Santa suit way more than I should. It has all the laughs, a solid message, and Eddie Murphy at his absolute best.

Edward Scissorhands (1990) - That last moment when Kim (played by Wynona Ryder) realizes the snow is actually ice coming from Edward’s mountainous ice sculpting—well, what else could you possibly want from a Christmas movie?

RFC PARTNERS WITH STAGE CENTER FOR ‘THE COLOR PURPLE’ SCREENING WITH BROADWAY DIRECTOR ZHAILON LEVINGSTON

Shreveport, LA - Robinson Film Center and Stage Center are partnering to host a screening of the film The Color Purple on December 18th at 5pm, as a precursor to the musical adaptation of the beloved classic which will run from January 5th-8th, 2023. The screening will feature an introduction by play director Zhailon Levingston with a musical performance by cast members of the Stage Center show.

“We’re so excited to host a screening of the Steven Spielberg classic at RFC as a primer for the local stage production,” said Wendell Riley, Executive Director of RFC. “When we sat down with Stage Center to discuss collaboration opportunities, this seemed like a no-brainer.”

The Tony Award winning play will be helmed by Levingston, who is from Shreveport and is also the youngest black director to have a show play on Broadway. His directing credits include: “Neptune” (Dixon Place, Provincetown theatre), “The Years That Went Wrong” (Lark, MCC), “The Exonerated” (Columbia Law School), “Chariot Part 2” (Soho Rep., for The Movement Theatre Company), “Mother of Pearl” (LaGuardia Performing Arts Center). He is the co-director of “Reconstruction” with Tony Award-winner Rachel Chavkin. Zhailon is the resident director at “Tina: The Tina Turner Musical” on Broadway and the associate director of “Hadestown” in South Korea.

"Stage Center is thrilled to be partnering with RFC for this unique crossover event, giving SBC audiences the opportunity to see how a story evolves during adaptations; in this case adapting for a realism in film, versus abstraction for the musical stage,” said Jared Watson, Artistic Director of Stage Center. “We hope audiences will take in both, prompting exciting discussion with friends and family!"

 Tickets to the screening are available to the public at http://robinsonfilmcenter.org/ or by calling the box office at (318) 459-4122. Tickets for the Stage Show production are on sale at https://www.stagecenterla.com/thecolorpurple/.

ROBINSON FILM CENTER TO HOST SPECIAL SCREENING OF ‘TILL’ WITH WRITER/PRODUCER KEITH BEAUCHAMP

Shreveport, LA - Robinson Film Center (RFC) will host a special screening of the film Till featuring a live introduction and Q&A with the film’s writer and producer Keith Beauchamp on November 10th at 7pm.

According to the film’s official website, “Till is a profoundly emotional and cinematic film about the true story of Mamie Till Mobley’s relentless pursuit of justice for her 14 year old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi. In Mamie’s poignant journey of grief turned to action, we see the universal power of a mother’s ability to change the world.” The movie has been playing at RFC since October 28th, and has garnered stellar reviews nationwide during its theatrical run.

Beauchamp, who co-wrote the film with Michael Reilly and Chinonye Chukwu, grew up in Baton Rouge and has familial ties to Shreveport. Beauchamp began researching and writing for a documentary about the Till case in the 1990s, building a close relationship with Mamie Till Mobley that lasted until her death in 2003.  He has been featured on '60 Minutes', ABC World News Tonight 'Person of the Week,' Court TV, MSNBC, 'Good Morning America,' CNN, BBC as well as in hundreds of publications around the world including The New York Times, Washington Post, USA Today, Associated Press and the Chicago Sun Times. Beauchamp’s past works included TV One’s 'Murder in Black and White' hosted by Rev. Al Sharpton and 'Wanted Justice: Johnnie Mae Chappell’ for the History Channel and ‘BET’s Exceptional Black Women.’

 “We are so honored that Keith is taking time out of his insanely busy schedule to come to Shreveport to present his film,” said Wendell Riley, Executive Director of RFC, “It is important for this story to be shared with our community, and to have the opportunity for additional insight and discourse related to the movie is extremely meaningful to us at RFC.”

Tickets to the screening are available to the public at http://robinsonfilmcenter.org/ or by calling the box office at (318) 459-4122.

For press availability contact wendellr@robinsonfilmcenter.org. For more information about Keith Beauchamp visit https://www.tillfreedomcome.com/about-keith-beauchamp.

OPEN CASTING CALL FOR THE ROCKY HORROR PICTURE SHOW SHADOWCAST AT RFC

Queer Alpaca Productions (QAP) will be hosting auditions for a shadowcast of the Rocky Horror Picture Show in conjunction with RFC's Friday Night Freak-Out series at 4pm on Friday, September 30th.

The shadowcast, which is a performance of the film by a group of amateur thespians as it is being screened will take place October 28th at 10pm, as part of RFC’s “A Nightmare on Texas Street” October programming. Auditions will be held at the Robinson Film Center’s Multi-Purpose Space (second floor). All roles are currently open. There is no singing required, but performers will be expected to learn their individual roles in order to portray them convincingly. Familiarity with the movie is a plus but not required. Those auditioning should come prepared to dance and perform pantomime to scenes from the film.

Queer Alpaca Productions is also looking for 2-3 stagehands, who will also be extras for the Time Warp and a few other scenes. Those interested in stagehand positions are encouraged to attend the audition as well. While these are not paid positions, QAP and RFC expect a strong turnout as The Rocky Horror Picture Show has a devout and growing cult following.

For questions about the shadowcast, contact Robin Carlisle at robin.carlisle89@gmail.com.

FOR MORE INFORMATION:

Wendell Riley, RFC Executive Director
(318) 459-4111, wendellr@robinsonfilmcenter.or

RFC Offers $3 Movie Tickets on September 2nd, 3rd, and 4th

Shreveport, LA – Robinson Film Center will offer $3 movie tickets to all shows on September 2nd, 3rd, and 4th, expanding the nationwide effort by The Cinema Foundation to offer $3 movie tickets this Saturday, in honor of National Cinema Day.

“We wanted to join the effort of selling discounted tickets to our community this weekend,” said Wendell Riley, Executive Director of RFC. “But we wanted to take it one step further, and offer $3 tickets over three days, to celebrate a return to cinemas, to say thank you to our patrons, and to recognize that in the current economic climate many people are looking for affordable entertainment options.”

RFC will be showing the critically acclaimed French Film Waiting for Bojangles, along with George Miller’s Three Thousand Years of Longing this weekend. For showtimes and tickets visit http://robinsonfilmcenter.org/ or call the box office at (318) 459-4122.

 FOR MORE INFORMATION:

Wendell Riley, RFC Executive Director
(318) 459-4111, wendellr@robinsonfilmcenter.org

Chef Tootie Morrison Bids Farewell to Abby Singer’s Bistro

Shreveport, LA – Chef Tootie Morrison bid a fond farewell to Abby Singer’s Bistro and the Robinson Film Center today.   

Chef Morrison, who has been with RFC since 2011, informed the staff and board of her intention to leave earlier this year. “Chef Tootie is inextricably linked to the growth and stature of RFC in the community over the last decade,” said Wendell Riley, Executive Director of RFC. “Even though she felt that the time was right to move on, she was gracious enough to continue with us while we transitioned between Executive Directors.”

While her departure means that guests will no longer be able to interact with her at the bistro, operations will continue as normal, with fan favorites remaining on the menu for the foreseeable future. “RFC and Abby Singer’s go hand in hand, and it is important for us to continue the legacy of what has been built, and what our patrons have come to expect from us in terms of quality and service,” said Riley. “We’ve worked with Tootie to make sure this transition is as seamless as possible, with no disruption for our customers.”

“RFC has been an important part of my culinary career,” said Morrison. “Even though I am leaving, it will always have a special place in my heart.”

“Above all, we want to extend our sincere and heartfelt thanks to Tootie for everything she has done for RFC,” said Riley. “On behalf of the staff and board of RFC, I want to wish her every success in her future endeavors.”

FOR MORE INFORMATION:

Wendell Riley, RFC Executive Director
(318) 459-4111, wendellr@robinsonfilmcenter.org

Robinson Film Center to Unveil Newly Renovated Event Space

Robinson Film Center to Unveil Newly Renovated Event Space

 Shreveport, LA – Robinson Film Center will unveil its newly renovated event space at an open house on August 11th, from 5-7 pm.   

 RFC offers the second-floor multi-purpose space to the community at affordable rates, allowing guests to host events such as parties, banquets, corporate trainings, and seminars. The center also offers rentals of its theaters, and a full on-site catering service. RFC’s location downtown, along with being the home of Abby Singer’s Bistro, makes it an attractive location for events of all types and sizes.

 “This space is unbeatable in terms of cost and location,” said Wendell Riley, Executive Director. “However, it has gotten a needed facelift, with new floors and equipment that matches the intended versatility of the room.”

 Longtime visitors to RFC are familiar with the event space, as RFC regularly hosts programming such as the Date Night series, along with film-related classes and summer camps there. The space is also the annual site for the Prize Foundation’s Louisiana Film Prize Top 20 announcement. “Everyone at RFC is excited about the new features in the room,” said Rich Hansil, Education Director at RFC. “We couldn’t have done this without the time and effort put forth by our Board to help us revamp the space to make our programming, classes and camps more impactful while making it more appealing overall.”

 "We want everyone to check out the space, whether they are looking for a cool wedding reception venue or a place for a corporate retreat,” said Riley. “And of course, in addition to the great food from Abby Singer’s, we have awesome popcorn.”

 To RSVP for the unveiling event, email robinsonfilmcenter@gmail.com. Members of the press are invited to attend. For more information about hosting an event at RFC, visit http://robinsonfilmcenter.org/rentals.

FOR MORE INFORMATION:

Wendell Riley, RFC Executive Director
(318) 459-4111, wendellr@robinsonfilmcenter.org

Robinson Film Center Names New Executive Director

SHREVEPORT, LA –The Board of Directors at Robinson Film Center (RFC) has named Wendell Riley as the incoming Executive Director of the Shreveport-based nonprofit. Riley will replace outgoing interim Executive Director Rich Hansil.

Riley, who is currently the Director of Media and External Relations at LSU Shreveport, has been a part of the Shreveport-Bossier film community for over a decade, working on Emmy, Cannes, Clio, Telly, and Webby award-winning projects at Moonbot Studios and Rational Middle Media. He has also worked with the Louisiana Prize Fest team and was instrumental in the early growth of Film Prize Jr., an acclaimed filmmaking competition and festival for high-school students. Riley has been

a longtime supporter of RFC and has recently been a volunteer instructor for film analysis classes in the center’s Filmmaking 101 series. Along with his educational and non-profit work, Riley has experience working with international clients such as Disney, Amazon, Gatorade, Chipotle, Dolby, Unilever, and Michelin. Riley is also a judge at the annual Cinema on the Bayou festival in Lafayette, Louisiana.

“I’m so excited to join RFC in the coming months,” Riley said. “I feel like I’m joining a winning team, as RFC has already cemented its place as a cultural jewel in Shreveport. My goal is to build upon what has already been done, as I believe in the transformative power of the arts, and the medium of film in particular. We can do so much more to bring all that RFC has to offer to wider and traditionally underserved communities, and leverage partnerships with area organizations to continue to nurture the local film industry.”

Hansil, who will be returning to producing TV and film while continuing to serve as Co-director of Education and Programming at RFC along with his wife, Rachael, joined the RFC team in 2019, with the goal of developing more robust and hands-on film education offerings in the Shreveport- Bossier region. As practicing filmmakers, they focus on providing applicable training across the entire film production pipeline, taught by industry professionals, many of whom are based in the region. When former Executive Director Meghan Hochstetler Avallone announced her departure, Hansil stepped in to run the center, and in his brief tenure he has worked closely with the board to

identify new opportunities and efficiencies on both the operational and public-facing sides of the house.

“I love being part of the team at the Robinson Film Center, and I can’t think of a better choice than Wendell to lead our group,” Hansil said. “He has the perfect mix of for-profit and non-profit experience, is an experienced leader, and truly loves cinema. He’s seen firsthand the impacts film can have on the lives of the people of our region.”

“When we began our search for a new executive director, we knew we had big shoes to fill,” said Anna Gleason, President of RFC’s Board of Directors. “Wendell couldn’t be a more perfect fit for this role. I’m excited to see some of his ideas come to fruition, and we’re looking forward to his insight and leadership through the Robinson’s next era. The future for RFC is bright and full of potential, and we believe Wendell is the ideal person to lead the charge.”

Riley will begin his tenure at RFC on August 1st, 2022.

FOR MORE INFORMATION:

Richard Hansil, RFC Interim Executive Director
(318) 459-4112, rhansil@robinsonfilmcenter.org

Anna Gleason, RFC Board President
(318) 505-8681, agleason@rbm.com

RFC Celebrates Fashion in Film at the Robbys

 SHREVEPORT – Northwest Louisiana’s fashion icons will be out to play on the eve of the Oscar’s at the nonprofit Robinson Film Center’s annual red-carpet event!

While the Academy is busy tallying awards, RFC supporters will be dancing the night away to our DJ’s and Windstorm. There will be awards for the fashionable film lovers, a silent auction featuring Hollywood classics and more, and custom cocktails and food from Food Prize-winning chef Tootie Moorison.

Attendees are encouraged to wear their finest movie-inspired fashion, whether it’s a look from “Inception”, a  Grace Kelly classic from “To Catch a Thief” or the chainmail dress from “Beyond Thunderdome”. Sponsorships are still available, and Platinum, Gold and Silver Sponsors get the full Hollywood treatment with hair and makeup by the stars at Chemistry Hair Salon in Shreveport.

“I spent two decades living and working in Hollywood, and I believe the Robby’s stacks up against any party I’ve been to out there,” says Rich Hansil, interim Executive Director at RFC. “This is a chance for us to thank our audience with a night of elegant fun and fashion. And of course, every ticket and sponsorship goes towards a great cause: providing K-12 education programs to local schools, bringing in films you can’t see anywhere else, and providing workforce development to our region.”

 WHAT: The Robbys, A Red Carpet Party on Oscar Weekend.

WHEN: 7 until, Saturday March 26th

WHERE: Robinson Film Center, 617 Texas Street, Shreveport 71101.

COST: $125, RFC members. $150, general admission. Includes open bar, heavy apps, and all the style you can handle.

Tickets on sale now: www.robinsonfilmcenter.org or 318.459.4122.

FOR MORE INFORMATION:

Richard Hansil, RFC Interim Executive Director

(318) 459-4112, rhansil@robinsonfilmcetner.org

ROBINSON FILM CENTER CLASS CELEBRATING BLACK HISTORY MONTH TO BE TAUGHT BY LSUS DIRECTOR, AWARD-WINNING FILMMAKER

Partnership inspired by new workforce pathways in progress 

Shreveport, LA –Louisiana State University Shreveport’s Director of Media and External Relations will be teaching a Film Appreciation class at Robinson Film Center beginning this week. 

As a part of the Robinson’s Filmmaking 101 and Film Appreciation courses, Wendell Riley will be leading adult learners through a course entitled, “Film Appreciation: Film After Dark: Exploring Genres.” The class will lead attendees through an exploration of genre films with a focus on filmmakers of the African diaspora. The topic was chosen as a way to celebrate Black History Month and black filmmakers. “I’m excited to explore the diversity among the many voices of the African Diaspora through contemporary films by some amazing black directors,” Riley explained. “As a black filmmaker, I am always aware of the need for more representative figures both in front of and behind the camera, particularly in quintessential American genres such as horror, sports films, and westerns.”

Riley’s background in award-winning filmmaking makes him a natural conduit for LSU Shreveport’s goal of creating workforce pathways into the film industry. “This is part of a larger effort for the university to partner with local organizations such as the Robinson and Prize Foundation to provide workforce development opportunities for people of the region,” said Riley. “By teaching film literacy and technical skills related to the industry, we can create pathways for people to solidify lasting careers in this space.”

LSUS recognizes the cultural and economic value of the film industry in the region and wants to continue that legacy. In doing so, the university is currently developing more film courses and workforce development programs both on the degree-seeking and continuing education sides of the house. “We want to meet people where they are and offer educational options tailored to their needs,” said Vice Chancellor and Provost Dr. Helen Taylor. 

“All of RFC’s classes are taught by local industry professionals and award-winning filmmakers, allowing students to learn from a wide variety of voices while seeing examples of success within the industry from their Northwest Louisiana neighbors,” said Interim RFC Executive Director Rich Hansil. “We’re excited about Wendell’s course and future opportunities with LSUS.”

For interviews with Wendell Riley, contact Erin Smith, Director of Digital Media and Website Management at LSUS at erin.smith@lsus.edu or by calling 318-797-5324.

To learn more about the Robinson Film Center’s Filmmaking 101 series, visit http://robinsonfilmcenter.org/comingsoon#/filmmaking-101-cs/

Robinson Film Center names interim executive director

SHREVEPORT – Richard Hansil, Robinson Film Center’s director of programming and education, has been named interim executive director by the nonprofit’s board of directors. He takes over for outgoing executive director Meghan Hochstetler Avallone, who will be working with her husband Thomas at their family-owned business.

Hansil, along with his wife, Rachael, has worked at Robinson Film Center since 2019. They have helped to grow and sharpen RFC’s education and film programming.

“I love being part of the team at the Robinson Film Center, and Meghan is the reason I’m here,” Hansil said. “She’s been instrumental in making this my favorite place in Shreveport, and I look forward to continuing the work she’s done to make RFC such a special place for our city and the surrounding region.”

Hansil began his work at RFC as a volunteer in the summer film camps and leading classes in the adult education department. Rich and Rachael joined the staff in 2019 as co-education directors and were named co-directors of programming and education in 2021. Outside of his work at RFC, Hansil is an award-winning filmmaker with experience in shorts, features, and television. He worked across multiple departments in the industry, before finding his niche as a showrunner, director and director of photography. His credits include Netflix, Discovery, NBC, ABC and Fox along with multiple film festivals.

“We’ve been very fortunate to have Rich at RFC and are thrilled about the opportunity for him to lead the organization,” said Anna Gleason, RFC board president. “We’re sorry to see Meghan go, but she is leaving RFC with an exceptional team in place. Rich is the right choice to lead us through this transition. He’s been a great spokesperson and tireless leader for our education and film programming alongside his wife, Rachael, and we’re confident he will do a great job carrying RFC forward.”

Avallone’s final day at RFC is February 4. RFC’s board of directors is conducting a search for a permanent executive director. Interested parties can email jobs@robinsonfilmcenter.org.

FOR MORE INFORMATION:

Richard Hansil, RFC Interim Executive Director
(318) 459-4112, rhansil@robinsonfilmcenter.org

Anna Gleason, RFC Board President
(318) 505-8681, agleason@rbm.com

Meghan Hochstetler Avallone, RFC Executive Director
(318) 459-4111, meghan@robinsonfilmcenter.org

Robinson Film Center’s executive director to step down

SHREVEPORT – Meghan Hochstetler Avallone, who has served as Robinson Film Center’s executive director since May 2016, has announced she will be leaving RFC to work with her husband Thomas at their family-owned business, Maccentric.

Avallone joined the RFC staff in 2011 as media educator. Throughout her tenure she also held the titles of education director and audience director before being named executive director.

“It has been an honor to be a part of this team for the past 10 years,” Avallone said. “As a movie-lover, I value RFC’s role in our community. I know that Shreveport-Bossier is lucky to have an art house in a city our size, and I am lucky to have played a role in the organization.”

Avallone’s accomplishments at the film center include founding Teen Film Council; expanding monthly film series to include new series like Soundtrax, Rewind and Date Night; renovating RFC’s lobby, façade and balcony; and helping sustain the organization through the pandemic.

“I’m so proud of the way our staff and board came together over the past year and a half to ensure the continued success of RFC,” she said. “Through long hours, added responsibilities and creative programming, our team worked diligently to make sure the film center continued to fulfil our mission. RFC is now in a great position, and I’m excited to see what’s in store for her future.”

Anna Gleason, president of RFC’s board of directors, is also proud of the work accomplished under Avallone’s leadership.

“We have been exceptionally fortunate to have someone with Meghan’s talent and passion grow along RFC for the past 10 years,” Gleason said. “The board and I are grateful for the dedicated leadership, especially over the last year and a half, and we are excited for the Avallone family’s future.”

The board of directors is currently accepting resumes for those interested in the executive director position. Interested parties should email jobs@robinsonfilmcenter.org. A job description is posted on robinsonfilmcenter.org/jobs. Avallone will remain in the executive director position until a replacement is named.

“We are grateful for Meghan and her time at RFC,” Gleason said, “but I’m also confident we’re poised for an exciting new chapter. The board is looking forward to finding our next great leader.”

FOR MORE INFORMATION:

Meghan H. Avallone, RFC Executive Director

318-459-4122, meghan@robinsonfilmcenter.org

Anna Gleason, RFC Board President

318-505-8681, agleason@rbm.com

RFC to offer film education courses

Lights. Camera. Learn! Film education classes are back at Robinson Film Center – specifically for adults who want a deep-dive into the world of movies.

There will be two kinds of classes offered: Filmmaking 101 and Film Appreciation. Filmmaking 101 is for the person who has always wanted to try their hand at making a movie, but doesn’t know where to start. Taken together, the Filmmaking 101 classes offer a complete overview of making a film from start to finish. Alternately, participants may choose to enroll in only the aspects of filmmaking that are most interesting to them. Film Appreciation classes will explore in-depth a particular genre, filmmaker or time-period. 

Here’s the upcoming line-up. All class times are 6:30-8 p.m.

Filmmaking 101: Screenwriting

January 13, 20 and 27

Do you want to make your own films, but don’t know where to start? Every movie begins with a story, and in these screenwriting sessions you’ll learn how to develop your ideas from a concept to a script. During this three-class series you’ll learn how to identify the elements of a good screenplay, how to get an idea out of your head and onto the page, and how to make that script sizzle so it’s ready to film. Most importantly, you’ll actually write a script and get feedback. Taught by television industry veteran Chelsea Caitlyn Woodham.

Film Appreciation: Film After Dark: The Changing Landscape of Horror

February 3, 10, 17 and 24

This series is not just for aspiring filmmakers, but all movie-lovers – especially scary-movie-lovers! Award-winning producer and LSUS director of media and public relations Wendell Riley will lead you through an exploration of why he loves horror films, and why you should too – with a focus on filmmakers of the African diaspora. Through this course you’ll not only examine the horror genre, but also genres that have influenced horror directors and how the horror genre has had its own influence on the wider world of film. You’ll watch films on your own and clips in class, then discuss the themes, techniques and thrills from the movies. If you like movies like Get Out and Candyman, this class is for you!

Filmmaking 101: Production

March 8, 9 and 10

Once you’re armed with a great script, how do you actually make a movie? The Production class will teach you just that. Covering the basics of lighting, camera and sound, this course will equip you with the knowledge needed to convey your vision to your crew or to go shoot a film on your own. Led by RFC education director and filmmaker Rich Hansil, who has mentored multiple assistant cameras, directors of photography, gaffers and grips throughout his career.

Filmmaking 101: Directing

April 7, 14 and 21

Do you fancy yourself the leader of the pack? In the Directing series you will learn to tie all of the elements of your film together and get the story in the can. Taught by directors Mark Bonner and Alexander Jeffery, this course will cover identifying and developing stories, blocking, working with actors and more!

Filmmaking 101: Editing

May 12, 19 and 26

It’s time to land the plane! Our Filmmaking 101 series concludes with the Editing course. Here you will learn how to take the raw footage and turn it into a finished film. Folks in the film industry often say that editing is the final rewrite of your script, and it can make or break a film. Learn from Taylor Bracewell and Colby Doler, award-winning filmmakers with features, shorts, and TV series under their belts. These two will teach you the basics of editing and the particulars of getting to the final version of your story.

Pricing and Registration

Individual classes may be purchased at robinsonfilmcenter.org or by calling RFC box office at 318.459.3122. To purchase a complete series at a discount, please call the box office at 318.459.3122.

For each series, participants may purchase classes individually for $30 per session or purchase the whole series at $25 per session.

All classes are offered at a discount for RFC members. RFC members may purchase classes individually for $25 per session or purchase the whole series at $20 per session.

A limited number of scholarships are available. Please contact Rich and Rachael Hansil at 318.459.4112 or rhansil@robinsonfilmcenter.org to apply.

K-12 Education Programs

These education offerings for adults join RFC’s full slate of K-12 education programming including in-school workshops; field trips; virtual field trips; summer film camp; and our flagship afterschool program, Teen Film Council.

RFC Education Faculty

Mark D. Bonner

Born and raised in Shreveport, Mark D. Bonner started as an avid writer, from comic book stories to screenplays. He’s dabbled in acting and recently won the 2021 Grand Prize at the Louisiana Film Prize for his directorial debut Shreveport Son.

Taylor Bracewell

Taylor Bracewell hails from Atlanta and moved to Shreveport in early 2015 to further her career as a filmmaker. She has since gone on to win numerous awards and accolades for her short films Polterguys (2015) and Candyland (2017) as writer & director and awards for her cinematography in Hangman (2015). She has received multiple awards and recognition at film festivals across the globe for her directing and cinematography work. 

Colby Doler

J.C. “Colby" Doler grew up in the small town of Grantville, Georgia. At 23 years old, Doler began his first foray into the film industry by directing his first short film, The Zombie Vlogs, a found-footage horror mockumentary. Since then, Doler has worked on dozens of short and feature films as writer, director, producer, editor, actor and more. Doler’s award-winning work has been recognized by top festivals such as Tribeca, Louisiana Film Prize, Holly Shorts and Dead Center as well as prestigious institutions such as ShortsHD, The Telly's, The American Advertising Federation and more. 

Rich Hansil

Rich Hansil is an award-winning filmmaker with experience in shorts, features, and television. He worked across multiple departments in the industry before finding his niche as a showrunner, director and director of photography. His credits include Netflix, Discovery, NBC, ABC and Fox along with multiple film festivals.

Alexander Jeffery

Born in Canada, raised in Arkansas, and schooled all over the world, Alexander Jeffery has always carried a deep respect and passion for the art of telling a good story. With a BA in theatre performance and a BFA in film and new media, Jeffery has the ability to relate to actors but also the wherewithal behind the lens to make a story work visually. In addition to prize-winning shorts, Jeffery has feature films, branded content, commercials and music videos to his name.  He also helped start the El Dorado Film Festival where he now serves as executive director.

Wendell Riley

Wendell Riley is an award-winning filmmaker from Trinidad and Tobago. He began his film career at Moonbot Studios, where he was a production manager and producer on multiple Emmy-, Annie-, Webby- and Cannes-Lions-winning animated projects. He served as producer on the Oscar-shortlisted The Numberlys and earned a Creative Arts Emmy Nomination in 2017 for his work on The Boy Who Learned to Fly. Riley also worked on the Rational Middle: Immigration documentary series, and Unexpected Modernism: The Weiner Brothers Story, which aired on PBS in 2020.

Chelsea Caitlyn Woodham

Originally from Washington state, Chelsea Caitlyn Woodham attended New York University, where she studied screenwriting at the Tisch School of the Arts. Upon moving to Los Angeles after graduation, she worked as a creative executive, developing TV shows with a focus on telling unique and authentic stories. She recently relocated to the Shreveport area, where she lives with her husband James, daughter Winifred, and puppy Greta Gerwag.